Name: Oh, Mary!
Start: 2024-01-26
End: 2024-05-12
Location: Lucille Lortel Theatre

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Oh, Mary! - NYC [37743]

NYC Oh, Mary! Asset 1 2/5/24

Oh, Mary!

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Oh, Mary! - NYC  - Product Media

NYC Oh, Mary! Asset 2 2/5/24

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Cole Escola created and stars in [*Oh, Mary!*](https://www.newyorktheatreguide.com/show/37743-oh-mary) off Broadway at the [Lucille Lortel Theatre](https://www.newyorktheatreguide.com/theatres/lucille-lortel-theatre) through March 24, 2024.

Escola is a writer and comedian known for their roles in the TV shows *Search Party, Big Mouth, Difficult People, At Home with Amy Sedaris*, and *Jeffery & Cole Casserole*, which Escola created with Jeffrey Self.

Escola was also a writer for the series *Difficult People, Ziwe*, and *The Other Two*. They now make their Off-Broadway debut as both a writer and performer with *Oh, Mary!*

Cole Escola - NY

Located in the West Village in Manhattan, the Lucille Lortel Theatre was first built 1926 as a 590-seat movie theatre. Converted into an Off-Broadway theatre in the early 1950s, the venue opened with *Maya* in June 1953.

In 1955, Louis Schweitzer acquired the building as an anniversary present for his wife, actress/producer Lucille Lortel. To celebrate her 81st birthday, the theatre was rechristened the Lucille Lortel Theatre in 1981. Since Lortel’s death, the Lucille Lortel Foundation has owned the theatre.

The Off-Broadway theatre company MCC Theater used the Lortel as its home base until it acquired its own venue in Hell's Kitchen.

## How to get to the Lucille Lortel Theatre off Broadway

The Lucille Lortel Theatre is closest to the Christopher Street station on the 1 line. The closest bus stop is Christopher St./Bleecker St. on the M8 line.

Lucille Lortel Theatre - NY

Lucille Lortel Theatre

Cole Escola

Conrad Ricamora stars as Mary's Husband in [*Oh, Mary!*](https://www.newyorktheatreguide.com/show/37743-oh-mary) off Broadway through May 12 and on Broadway at the [Lyceum Theatre](https://www.newyorktheatreguide.com/theatres/lyceum-theatre-ny) from from June 26 to September 15.

Ricamora is best known for playing Oliver Hampton on the ABC TV show *How to Get Away with Murder*. His other screen credits include the Fox show *The Resident* and the Hulu movie *Fire Island*.

Ricamora originated the role of Ninoy Aquino in *Here Lies Love* off Broadway in 2013 and reprised the role on Broadway 10 years later. His other stage credits include *The King and I* on Broadway and *Soft Power* and [*Little Shop of Horrors*](https://www.newyorktheatreguide.com/show/24608-little-shop-of-horrors-tickets) off Broadway.

Conrad Ricamora - NY

Recommended for ages 14+. Children under 4 are not permitted in the theater.

Here Lies Love on Broadway - NYC

Here Lies Love on Broadway

Here Lies Love on Broadway - NYC Product Media

For [*Here Lies Love*](https://www.newyorktheatreguide.com/show/27415-here-lies-love-on-broadway), the storied [Broadway Theatre](https://www.newyorktheatreguide.com/theatres/broadway-theatre) has transformed into Club Millennium, a bright, pulsating discotheque sans orchestra seats. A disc jockey (Moses Villarama) pumps up the incoming crowd as energetic ushers, clad in pink jumpsuits, play air traffic control for patrons on the dance floor. A fitting setting for a musical about the rise of a dictatorship, no? 

[David Byrne](https://www.newyorktheatreguide.com/stars-on-stage/david-byrne) and Fatboy Slim’s musical, which began as a concept album, chronicles the ascent of Imelda Marcos’s power, fame, and fortune — and subsequent fall. Director Alex Timbers zeros in on Imelda’s lavish spending of ill-gotten money. And its narrative framework hangs on a fun historical fact: Imelda had a mirrored disco ball inside her New York townhouse and was a famously large presence in the city's disco scene. 

The show’s timeline spans from Imelda’s childhood in the 1930s to the People Power Revolution in 1986, telling her rags-to-riches story through disco-pop beats. A local beauty pageant deems Imelda the “Rose of Tacloban,” a title that inspires her to move to Manila, where she meets Congressman Ferdinand Marcos and helps him clinch the presidential election. The rest is a painful history of corruption, repression, and violence.

The immersive musical first bowed off Broadway at The Public Theater in 2013 before making waves in London, Australia, and stateside in Seattle. Now, *Here Lies Love* brings the [first all-Filipino cast on Broadway](https://www.newyorktheatreguide.com/theatre-news/news/meet-the-all-filipino-here-lies-love-broadway-cast), with a company including Jose Llana (Ferdinand Marcos) and Conrad Ricaroma (Ninoy Aquino), who originated their roles downtown. 

[Arielle Jacobs](https://www.newyorktheatreguide.com/theatre-news/interviews/arielle-jacobs-seizes-the-starring-role-of-imelda-marcos-in-here-lies-love-broadway) glitters as Imelda Marcos with her dulcet vocals and ability to transform from a “young girl from Leyte” to the stony “Steel Butterfly,” as the dictator came to be known. (Costume designer Clint Ramos’s pleated, butterfly-sleeve dresses help the metamorphosis.) Jacobs is disarming in the role.

As Ferdinand, Llana energizes supporters with friendly handshakes, and later, he asserts dominance with a simple glare. Ricamora's Ninoy, as the opposition leader, riles the crowd with his charming confidence and shines with solo numbers like “The Fabulous One.” Another standout is the incomparable [Lea Salonga](https://www.newyorktheatreguide.com/stars-on-stage/lea-salonga) as Aurora Aquino. Her number, “Just Ask the Flowers,” is a showstopper. (Salonga will play the role through August 13.)

The show's real star is the glitzy, all-encompassing set by David Korins. As the action unfolds, stage platforms shift, audience members shuffle, and video projections display live-action crowd shots and historical documents on large screens throughout the auditorium. A giant disco ball spins, reflecting light across the space. Annie-B Parson’s electrifying choreography, which includes a Filipino line dance with the audience, furthers the nightclub scene. 

Audience members whose knowledge of Imelda Marcos is limited to the fact that she owned 3,000 pairs of shoes will only leave with a partial understanding of this violent period. The musical has no book, and the punchy songs paint broad strokes of the 60-year history. (The program, given to the stage floor patrons upon exiting the theatre, includes an insert with a more detailed historical timeline that fills in the show’s gaps.)

Still, this rollicking, form-breaking musical party is well worth an RSVP. 

[*Here Lies Love* is at the Broadway Theatre. Get tickets for *Here Lies Love* on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/27415-here-lies-love-on-broadway)

*Photo credit: Arielle Jacobs and the cast of Here Lies Love on Broadway. (Photo by Billy Bustamante, Matthew Murphy and Evan Zimmerman)*

'Here Lies Love' review — disco-pop musical brings the party

Read our four-star review of *Here Lies Love* on Broadway, an immersive disco-pop musical featuring songs by David Byrne and Fatboy Slim. 

The Broadway Theatre is one of only five playhouses situated directly on the street named Broadway. Designed by Eugene De Rosa, the building officially opened on December 25, 1924, as B. S. Moss’s Colony, a premier film house. The building underwent a series of name changes, including to Universal's Colony Theatre, B.S. Moss' Broadway Theatre, and Earl Carroll's Broadway Theatre.

The theatre was used for stage productions and was re-christened simply as the Broadway Theatre on December 30, 1930. The Shubert Organization purchased the property in 1939 and have since completed two renovations in 1956 and 1986. The theatre houses an extremely large stage at 60 feet deep.

## How to get to the Broadway Theatre in New York

The Broadway Theatre, located at 53rd Street and Broadway, is closest to the 50th Street subway stop on the 1 line. The nearest bus stop to the theatre is 7th Ave/W 53rd St. on the M7, M20, and M104 lines.

Broadway Theatre - NY

Broadway Theatre

Ages 5+. Children under the age of 4 are not permitted in the theatre.

Westside Theatre

Little Shop of Horrors - NYC [24608]

Little Shop of Horrors

Little Shop of Horrors - NYC [24608] Product Media

The plant at the centre of <a href="/show/little-shop-of-horrors">Little Shop of Horrors</a> that feeds on human blood may have had its sights on world domination, but the musical that was based on the low-budget 1960 comedy sci-fi film of the same name has actually long achieved it, so it ultimately got what it wanted. And now the show has come full circle, 37 years on from its Off-Off-Broadway beginnings at the WPA Theatre (now no more) in May 1982, before moving to the larger Orpheum Theater on Second Avenue in the East Village that summer, where it ran for five years and became the highest-grossing show in Off-Broadway history until then, to find a new home at another Off-Broadway house just off Eighth Avenue in midtown Manhattan.In the intervening years, it has been turned into a feature film and played in the West End and on Broadway (the latter in a new production in 2003 that ran for less than a year at the Virginia Theatre, now the August Wilson), but its true home is a more modestly scaled place like the 270-seater <a href="/theatres/westside-theatre">Westside Theatre</a>, a former Baptist church built in 1889 that has been used as a theatre space since the mid-1970s.But while it is naturally a special pleasure and privilege to see the show at close quarters again, everything about this new version screams Broadway, from its above-the-title casting of multiple Tony Award nominees Jonathan Groff, Tammy Blanchard and two-time Tony winner <a href="/actor-profile/christian-borle">Christian Borle</a>, to its creative staff, led by director Michael Mayer, Tony winner for his original production of Spring Awakening. And unfortunately not everyone alas is willing to let the show sing and speak for itself, but&nbsp;seeks to portray it on a larger canvas.The production often feels too large and indulgent on this small stage, starting with Julian Crouch's expansive set that consumes the theatre. This may be the priciest Skid Row ever brought to an Off-Broadway stage.The performances are at times similarly exaggerated. In trying to mine new colours for Audrey, the abused floral shop assistant who falls for her work colleague Seymour as he nurtures a new exotic plant that he names Audrey II after her, Tammy Blanchard channels her into a sultry Rita Heyworth-inspired character, with her songs slowed down into torch songs of despair. 'Somewhere that's Green' sounds less aspirational of a better life than a dread doubt of ever achieving it.Jonathan Groff seems similarly depressed and downtrodden as Seymour, while Christian Borle plays the dentist Orin and a range of other characters purely as bright, eager caricature.There are some compensating pleasures from the trio of street urchins Ronnette (Ari Groover), Crystal (Salome Smith) and Chiffon (Joy Woods), who are a kind of Greek chorus observing and commenting on the action in Alan Menken's wonderful pastiche score. It is here that the enduring pleasures of the show itself are most apparent.Nicholas Mahon's new puppet designs for the plant itself are impressive as it grows ever larger. But less, in this production, would be more amongst the human elements.(Photo by Emilio Madrid-Kuser)<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WHAT THE OTHER CRITICS SAID</h2></div></div></div>"A certain carnivorous plant has been repotted in Hell's Kitchen, and I am delighted to report that it's thriving there. This hot showbiz shrub of yesteryear, which goes by the name of Audrey II, has found a new dance partner, a performer who can coax the&nbsp;tendril-stretching star quality&nbsp;out of a freakish botanical specimen. That would be Jonathan Groff,&nbsp;who is generating major nerd charisma in Michael Mayer's delicious revival of Little Shop of Horrors." Ben Brantley&nbsp;for <a href="https://www.nytimes.com/2019/10/17/theater/little-shop-of-horrors-review-jonathan-groff-feeds-the-beast.html" target="_blank">New York Times</a>"Tight feels right, because the roots of Alan Menken and Howard Ashman's terrific show are in small houses. Now the insanely catchy doo-wop musical occupies the 270-seat Westside Theatre, with a bare-bones set and not a projection in sight. Freed from dealing with the usual trappings of modern musicals, you can feel the actors let their vines down." Johnny Oleksinski&nbsp;for <a href="https://nypost.com/2019/10/17/little-shop-of-horrors-review-jonathan-groff-tammy-blanchard-get-real/" target="_blank">New York Post</a>"Michael Mayer's deeply satisfying revival at the Westside Theatre, with a set by Julian Crouch, has the right sense of scale for a musical that began Off Broadway and is most at home there. It's a little show, and the closer we get to it, the more it sucks us in." Adam Feldman for <a href="https://www.timeout.com/newyork/theater/little-shop-of-horrors-review-revival-jonathan-groff-tammy-blanchard-christian-borle" target="_blank">Time Out New York</a>"What's most immediately captivating about the limited-engagement production is that, deluxe casting aside, it eschews Broadway scale in favor of a return to the show's roots in an off-Broadway theater that seats just 270. That accounts for the production's sell-out business, two-month extension and cluster of hopeful ticket-buyers waiting on cancellation lines at every performance. While it's become something of a classic, this remains at heart a scrappy little pastiche musical whose charms thrive most vibrantly in an intimate house." David Rooney&nbsp;for&nbsp;<a href="https://www.hollywoodreporter.com/review/little-shop-horrors-theater-review-1248089" target="_blank">Hollywood Reporter</a>"Directed at a quick clip by Michael Mayer,&nbsp;this Little Shop&nbsp;is played out on the small, tight stage of the Westside Theater with an ever-growing, masterfully manipulated plant (kudos to Eric Wright, Teddy Yudain, Kris Roberts, Chelsea Turbin). The close confines give this Little Shop&nbsp;the intimacy of home viewing." A.D. Amorosi&nbsp;for&nbsp;<a href="https://variety.com/2019/legit/reviews/little-shop-of-horrors-review-jonathan-groff-1203370043/" target="_blank">Variety</a>&nbsp;

Review of Little Shop of Horrors, starring Jonathan Groff, Tammy Blanchard & Christian Borle, at Westside Theatre

The Westside Theatre building was designed by architect Henry F. Kilburn as the Second German Baptist Church in 1890. Nearly a century later, the space housed a discotheque, Club Sanctuary, until it was finally converted into a theatre with two stages (upstairs and downstairs) in 1973.

The Chelsea Theatre Group presented the first production – David Storey’s *The Contractor* – in October 1973. The building was renamed the Chelsea Westside Theatre. Under the management of Raymond L. Gaspard, the theatre was rechristened the Westside Arts Theatre from 1981 until 1990.

After an extensive renovation by new management, the venue reopened in March 1991 as the Westside Theatre. The Upstairs Theatre has a capacity of 270 seats, while the Downstairs Theatre holds 249 seats.

## How to get to the Westside Theatre off Broadway

The Westside Theatre is closest to the 42nd St. - Port Authority subway stop on the A, C, and E lines. The closest bus stop is 9 Av./W 44 St. on the M11 line.

Westside Theatre - NYC

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Starring Cole Escola

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