Name: Floyd Collins on Broadway
Start: 2025-03-27
Location: Vivian Beaumont Theater - Lincoln Center Theater

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Floyd Collins on Broadway - NYC [41242]

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Floyd Collins on Broadway

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Poster of Floyd Collins on Broadway in New York.

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Jeremy Michael Jordan&nbsp;was born on November 20, 1984 in Corpus Christi, Texas, and is a Broadway favorite best known for his Tony-nominated performance as Jack Kelly in Disney's&nbsp;Newsies&nbsp;and for his TV roles as&nbsp;Jimmy Collins on NBC's Smash&nbsp;and as Winn Schott on The CW's Supergirl.

He attended the Mary Carroll High School in Texas, where he began acting and was an active member of the school's choir, and he would go&nbsp;on to graduate from Ithaca College in New York with a bachelor of fine arts in musical theatre. His first notable stage roles include Alex in&nbsp;The Little Dog Laughed&nbsp;at Hartford TheaterWorks and Tom Sawyer in&nbsp;Big River&nbsp;at Goodspeed Opera House, both in Connecticut in 2008. He would then make his Broadway debut in 2009 as a swing in the Broadway premiere of&nbsp;Rock of Ages,&nbsp;and in December of that year, he joined the Broadway cast of West Side Story&nbsp;as an alternate for the leading role of Tony, quickly proving his worth&nbsp;as a leading man. This was further established when he was cast as&nbsp;Clyde Barrow in the short-lived Broadway premiere of&nbsp;<a href="https://www.newyorktheatreguide.com/reviews/bonnie-and-clyde">Bonnie and&nbsp;Clyde</a>&nbsp;in November&nbsp;2011, which nevertheless earned him a&nbsp;Theatre World Award in 2012.

Jordan shot to Broadway fame in his next outing, originating the role of Jack Kelly in Disney's&nbsp;<a href="https://www.newyorktheatreguide.com/reviews/newsies">Newsies</a>. He had previously played the role at the world premiere production at the Paper Mill Playhouse in New Jersey in September&nbsp;2011, which transferred to Broadway's Nederlander Theatre in the spring of 2012. It was slated for an initial limited engagement, but Disney then extended it to an open-ended run due to popular demand. For his performance, Jordan earned his first Tony and Drama Desk Award nominations in 2012 and his first Grammy Award nomination (as a principal soloist in the Best Musical Theater Album&nbsp;category) in 2013. He later reprised the role for the Los Angeles&nbsp;performances, which were filmed live on stage and&nbsp;broadcast to cinemas worldwide in February 2017 as Disney's Newsies the Broadway Musical.&nbsp;In the fall of 2018, he made&nbsp;his debut in a Broadway play, taking on the role of&nbsp;Officer Paul Larkin in the Broadway premiere of&nbsp;American Son&nbsp;at the Booth Theatre from&nbsp;October 6, 2018 through January 27, 2019.

His other stage credits include the Encores! presentation of&nbsp;A Bed and A Chair&nbsp;at New York City Center in November 2013, the role of J.M. Barrie in the American premiere of&nbsp;Finding Neverland&nbsp;in Cambridge, Massachussetts from July to September 2014,&nbsp;the concert production of&nbsp;Parade&nbsp;at Lincoln Center in February 2015, and reprising the role of Tony in&nbsp;West Side Story&nbsp;at The Hollywood Bowl in June 2016.

Mr. Jordan's big television breakthrough came after being cast as Jimmy Collins in NBC's&nbsp;Broadway-centric musical series "Smash," appearing in a total of 17 episodes in 2013. On screen, he has also starred as Jamie Wellerstein opposite Anna Kendrick in the 2014 musical movie "The Last Five Years," and appeared in popular TV series such as "Elementary" and "Law &amp; Order: Special Victims Unit". In 2015, he would debut as&nbsp;Winslow "Winn" Schott, Jr. in DC Comics' hit series "Supergirl," which debuted on CBS before switching to The CW. The character has also appeared on DC's "The Flash" in 2017. Mr. Jordan also&nbsp;lends his voice to the character of Varian in "Rapunzel's Tangled Adventure" for the Disney Channel since 2017.

Mr. Jordan&nbsp;returned&nbsp;to Broadway, assuming the role of Dr. Pommater in the hit musical&nbsp;Waitress&nbsp;from April 8 to June 2, 2019 at the Brooks Atkinson Theatre. He then starred in the Off-Broadway revival of Little Shop of Horrors in 2021 and returned to the lead role of Seymour for a limited engagement in 2023.

Jeremy Jordan - NY

Use voucher code 22OFFWAITRESS at checkout and save $22 for performances 1/1-1/9.

Broadway COVID Protocol

Waitress on Broadway - NYC [23488] (NEW)

Waitress on Broadway

Waitress on Broadway - NYC [23488] (NEW) Product Media

Waitress is a musical that will leave you fahklempt, because of Sarah Bareilles' sublime music, but seriously unsatisfied with the decision to overstuff this story.There are a few basic and necessary ingredients in writing a story. On the one hand there is the three character rule. Two main characters, one of whom - the primary - is driving the piece (Romeo tumbles for Juliet), and a third character whose presence affects the plot. Romeo kills Mercutio and things go south. We see this all the time in every single show on TV. Every. Single. One. Then you have your actions: discover, deliberate and determine. Also in every TV script. These are basics that date back to a seriously long time ago. Way long. And they are basic because they work. They work so well that when you see a show that feels off you can go directly to these rules and see where the applecart tipped over.In this case I picture this esteemed tribe of artists sitting around the worktable and considering what to cut. I saw this show in Boston and it was ripe for scissoring back then. I picture the conversation went something like, "Well, we could cut the song about dating." And the reply, "Oh but I love that song. And she nails it." "OK. How about the one where she defends her love life." "Nope. We need that one because she's been silent up till then." And on and on and on. In the end everything stayed because all the elements were too dear. No one had the laser vision to make the cuts. Even the song "I Love You Like A Table" - the title speaks for itself...To use the pie analogy that begins the show, this team took sugar, butter, flour and added chocolate, cinnamon, lemons, ginger, molasses, minced meat and... you get the idea.On the plus side of everything is Jesse Mueller whose skill at delivering a whole universe in a song is astonishing. Her range is stratospheric and her heart is in every note. As Jenna, she is the waitress who supplies Joe's Diner with pies that are not just pies. Each one is life. "Deep Dish Blueberry Bacon" "Betrayed by My Eggs Pie". Some are real, others are fantasy, like "My Husband's A Jerk Chicken Pot Pie".Jenna is one of those women who never gets a leg up. The kind of woman who will not be able to afford a ticket to this show. She married because there was not much else to do. And now her husband has devolved into a self-pitying Neanderthal named Earl (Nick Cordero). At work Jenna is buoyed up by the other waitresses. Dawn (Kimiko Glenn) is a perky waif who would like to be in love but has no idea how to do it. Becky (Keala Settle) is a woman with a lot of mileage who still has plenty of tread on her tires. The cook Cal (Eric Anderson) is a monosyllabic soul of hidden substance. The owner Joe (a delightful as always Dakin Matthews) wears gruff like an impenetrable suit and misses nothing. His solo "Take It From An Old Man" left the audience moved so much we almost forgot to clap. Then there are the customers who dance and sing through life.In other words there is nothing new here. Except for the arrival of the local gynecologist Dr. Pomatter (Drew Gehling) to whose office Jenna bolts when she learns she is pregnant with a child she does not want because a) it is Earl's and b) she is pretty certain she will mess up being a mother. The highly improbable relationship that develops between doctor and patient is made plausible, once again, because of the music. Their several duets are exquisite, and when it comes to being funny, Gehling walks away with the trophy.Eventually Jenna gets her courage back, and the balcony erupts with applause. Not so much in the orchestra where I imagine there were a lot of women seeing themselves on that stage: in an unhappy relationship with future prospects looking dim. The walking wounded.And that is where the bravery of this show lies: in the tale of a woman who is living her life by putting one foot in front of the other every day. She has dreams. In this show a dream does not make you delusional. A dream is a soft place to land.And in the end that is why we cry and that is why we cheer. And that is why I will go to Tower Records (gotcha) and get the cast recording. I cannot wait to hear these songs again.<a href="/news-features/waitress-to-return-to-broadway-in-september-starring-sara-bareilles">Sara Bareilles will reprise the role of Jenna in Waitress at the Barrymore Theatre from September 2. Find out more about Waitress on Broadway here.</a>(Photo by Joan Marcus)<hr />"In Jessie Mueller, who plays Jenna, that hard-working waitress, this agreeable if unexceptional musical... has the kind of vital ingredient any show would benefit from." Charles Isherwood for New York Times"A big-hearted but overwrought new musical about an everyday woman." Joe Dziemianowicz for New York Daily News"In a rare case of an adaptation besting its source material, the new musical is an improvement on the 2007 movie it's based on. From score to casting, book to staging, everything comes together with a deceiving ease." Elisabeth Vincentelli for New York Post"Fresh and delicious, Waitress has an excellent ratio of sweet to tart; supporting characters who provide crustiness (Dakin Matthews's grumbly store owner) and flakiness (Christopher Fitzgerald's loony admirer of another waitress); and cooked-to-perfection staging by Diane Paulus. The whole dish is—please forgive me—love at first bite." David Cote for Time Out New York"Take terrific songs by Sara Bareilles, mix them to a story by Jessie Nelson that isn't too sugary, bake that with intimate, understated direction by Diane Paulus and top it off with a powerhouse performance by Jessie Mueller." Mark Kennedy for Associated Press"A tasty slice of pie for those with a sweet tooth." David Rooney for Hollywood Reporter"Sara Bareilles has written a charming score that suits the quirky material and Mueller's dazzling voice and endearing personality." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="http://www.nytimes.com/2016/04/25/theater/review-jessie-mueller-serves-a-slice-of-life-with-pie-in-sara-bareilless-waitress.html?_r=0" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/theater-arts/jessie-mueller-star-turn-baked-perfection-waitress-article-1.2610433" target="Top">New York Daily News</a> - <a href="http://nypost.com/2016/04/24/women-songwriters-like-sara-bareilles-are-owning-broadway/" target="Top">New York Post</a> - <a href="http://www.timeout.com/newyork/theater/waitress" target="Top">Time Out</a> - <a href="http://abcnews.go.com/Entertainment/wireStory/review-broadways-waitress-recipe-success-38642316" target="Top">Associated Press</a> - <a href="http://www.hollywoodreporter.com/review/sara-bareilles-waitress-theater-review-887182" target="Top">Hollywood Reporter</a> - <a href="http://variety.com/2016/legit/reviews/waitress-review-broadway-musical-1201759570/" target="Top">Variety</a>

Waitress

The Barrymore Theatre is a historic Broadway venue located in the heart of New York City. Opening its doors in 1928, this prestigious theatre was named after the famed Barrymore theatrical family. Its luxurious interior boasts a classic 20th-century design with grand staircases, ornate details and golden accents, transporting visitors back in time. It is capable of seating up to 1,028 guests, offering both orchestra and mezzanine seating. Notably, this Broadway venue has been the stage for many successful plays, such as the Pulitzer Prize-winning play 'August: Osage County' and the critically acclaimed 'The Curious Incident of the Dog in the Night-Time'.

**How to get to the venue:**
The Barrymore Theatre can be conveniently reached by various modes of transport. If commuting by subway, take either the C, E or 1 train to 50th Street. Alternatively, take the N, Q or R train to 49th Street. Those preferring to travel by bus can take the M104, M7, M20, or M50 bus lines. The Theatre is also easily accessible by taxi and for those driving, there are numerous nearby parking garages available.

Barrymore Theatre - NYC

Barrymore Theatre

The Barrymore Theatre is a historic Broadway venue in New York City, known for its classic design and acclaimed performances.

Ages 5+. Children under the age of 4 are not permitted in the theatre.

Westside Theatre

Little Shop of Horrors - NYC [24608]

Little Shop of Horrors

Little Shop of Horrors - NYC [24608] Product Media 

The plant at the centre of <a href="/show/little-shop-of-horrors">Little Shop of Horrors</a> that feeds on human blood may have had its sights on world domination, but the musical that was based on the low-budget 1960 comedy sci-fi film of the same name has actually long achieved it, so it ultimately got what it wanted. And now the show has come full circle, 37 years on from its Off-Off-Broadway beginnings at the WPA Theatre (now no more) in May 1982, before moving to the larger Orpheum Theater on Second Avenue in the East Village that summer, where it ran for five years and became the highest-grossing show in Off-Broadway history until then, to find a new home at another Off-Broadway house just off Eighth Avenue in midtown Manhattan.In the intervening years, it has been turned into a feature film and played in the West End and on Broadway (the latter in a new production in 2003 that ran for less than a year at the Virginia Theatre, now the August Wilson), but its true home is a more modestly scaled place like the 270-seater <a href="/theatres/westside-theatre">Westside Theatre</a>, a former Baptist church built in 1889 that has been used as a theatre space since the mid-1970s.But while it is naturally a special pleasure and privilege to see the show at close quarters again, everything about this new version screams Broadway, from its above-the-title casting of multiple Tony Award nominees Jonathan Groff, Tammy Blanchard and two-time Tony winner <a href="/actor-profile/christian-borle">Christian Borle</a>, to its creative staff, led by director Michael Mayer, Tony winner for his original production of Spring Awakening. And unfortunately not everyone alas is willing to let the show sing and speak for itself, but&nbsp;seeks to portray it on a larger canvas.The production often feels too large and indulgent on this small stage, starting with Julian Crouch's expansive set that consumes the theatre. This may be the priciest Skid Row ever brought to an Off-Broadway stage.The performances are at times similarly exaggerated. In trying to mine new colours for Audrey, the abused floral shop assistant who falls for her work colleague Seymour as he nurtures a new exotic plant that he names Audrey II after her, Tammy Blanchard channels her into a sultry Rita Heyworth-inspired character, with her songs slowed down into torch songs of despair. 'Somewhere that's Green' sounds less aspirational of a better life than a dread doubt of ever achieving it.Jonathan Groff seems similarly depressed and downtrodden as Seymour, while Christian Borle plays the dentist Orin and a range of other characters purely as bright, eager caricature.There are some compensating pleasures from the trio of street urchins Ronnette (Ari Groover), Crystal (Salome Smith) and Chiffon (Joy Woods), who are a kind of Greek chorus observing and commenting on the action in Alan Menken's wonderful pastiche score. It is here that the enduring pleasures of the show itself are most apparent.Nicholas Mahon's new puppet designs for the plant itself are impressive as it grows ever larger. But less, in this production, would be more amongst the human elements.(Photo by Emilio Madrid-Kuser)<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WHAT THE OTHER CRITICS SAID</h2></div></div></div>"A certain carnivorous plant has been repotted in Hell's Kitchen, and I am delighted to report that it's thriving there. This hot showbiz shrub of yesteryear, which goes by the name of Audrey II, has found a new dance partner, a performer who can coax the&nbsp;tendril-stretching star quality&nbsp;out of a freakish botanical specimen. That would be Jonathan Groff,&nbsp;who is generating major nerd charisma in Michael Mayer's delicious revival of Little Shop of Horrors." Ben Brantley&nbsp;for <a href="https://www.nytimes.com/2019/10/17/theater/little-shop-of-horrors-review-jonathan-groff-feeds-the-beast.html" target="_blank">New York Times</a>"Tight feels right, because the roots of Alan Menken and Howard Ashman's terrific show are in small houses. Now the insanely catchy doo-wop musical occupies the 270-seat Westside Theatre, with a bare-bones set and not a projection in sight. Freed from dealing with the usual trappings of modern musicals, you can feel the actors let their vines down." Johnny Oleksinski&nbsp;for <a href="https://nypost.com/2019/10/17/little-shop-of-horrors-review-jonathan-groff-tammy-blanchard-get-real/" target="_blank">New York Post</a>"Michael Mayer's deeply satisfying revival at the Westside Theatre, with a set by Julian Crouch, has the right sense of scale for a musical that began Off Broadway and is most at home there. It's a little show, and the closer we get to it, the more it sucks us in." Adam Feldman for <a href="https://www.timeout.com/newyork/theater/little-shop-of-horrors-review-revival-jonathan-groff-tammy-blanchard-christian-borle" target="_blank">Time Out New York</a>"What's most immediately captivating about the limited-engagement production is that, deluxe casting aside, it eschews Broadway scale in favor of a return to the show's roots in an off-Broadway theater that seats just 270. That accounts for the production's sell-out business, two-month extension and cluster of hopeful ticket-buyers waiting on cancellation lines at every performance. While it's become something of a classic, this remains at heart a scrappy little pastiche musical whose charms thrive most vibrantly in an intimate house." David Rooney&nbsp;for&nbsp;<a href="https://www.hollywoodreporter.com/review/little-shop-horrors-theater-review-1248089" target="_blank">Hollywood Reporter</a>"Directed at a quick clip by Michael Mayer,&nbsp;this Little Shop&nbsp;is played out on the small, tight stage of the Westside Theater with an ever-growing, masterfully manipulated plant (kudos to Eric Wright, Teddy Yudain, Kris Roberts, Chelsea Turbin). The close confines give this Little Shop&nbsp;the intimacy of home viewing." A.D. Amorosi&nbsp;for&nbsp;<a href="https://variety.com/2019/legit/reviews/little-shop-of-horrors-review-jonathan-groff-1203370043/" target="_blank">Variety</a>&nbsp;

Review of Little Shop of Horrors, starring Jonathan Groff, Tammy Blanchard & Christian Borle, at Westside Theatre

Westside Theatre, located in the heart of New York City, is a true spectacle for all theatre enthusiasts. This performing arts venue is renowned for its unique and diverse range of productions, from Tony Award-winning plays to innovative off-Broadway performances. The theatre is divided into Upstairs and Downstairs theatres, which allows simultaneous performances. The upstairs theatre, located on the second floor, accommodates 270 people, while the downstairs theatre has a capacity of 249 seats. Outfitted with modern sound and lighting systems, it provides an intimate and immersive experience for audiences. Traditional architecture mixed with contemporary designs creates a unique ambiance that can only be found in this legendary theatre.

**How to get to Westside Theatre**: The theatre is situated at 407 W 43rd St. The nearest subway is at 42nd Street, which you can access through the A, C, or E trains. If you prefer to drive, several parking garages are located nearby. Due to its central location, Westside Theatre is also easily reachable by local buses, taxis, or rideshares.

Westside Theatre - NYC

Westside Theatre in NYC hosts diverse performances in its two theatres. It's readily accessible via subway, bus, taxi or rideshare.

Ages 10+. Children under 4 are not permitted in the theatre.

The Great Gatsby on Broadway - NYC [38749]

The Great Gatsby on Broadway

The Great Gatsby on Broadway - NYC [38749] Product Media  

The Broadway Theatre is one of the most iconic and popular theatre venues in New York. Located at 1681 Broadway, the theatre is home to multitude of critically acclaimed Broadway musicals and plays. Since its inception in 1924, the Broadway theatre has been a pillar of the New York theatre industry, consistently presenting audiences with captivating performances and a wide variety of shows. The theatre boasts a large seating capacity of 1765, setting it apart from other Broadway theatres. Its key defining feature, the exceptional stage size, allows for large-scale musical productions. Notable performances that graced the theatre include 'South Pacific', 'The Color Purple', 'Miss Saigon', the revival of 'Evita' and 'Cinderella'. With a unique blend of classic architecture and modern technology, the Broadway Theatre not only delivers magnificent visual appeal but also excellent acoustics and comfortable seating. This combination creates an immersive viewing experience few other venues can rival.

## How to Get Here
The Broadway Theatre is easily accessible via public transportation. It’s easy to reach by subway. You can take the C, E, or 1 train to 50th Street or the N, R, or Q train to 57th Street. Alternatively, the theatre is served by buses M104, M10, M27/M50. If you prefer to drive, there are numerous public parking lots within a short walk. Bicycle parking is also available nearby.

Broadway Theatre - NY

Broadway Theatre

The Broadway Theatre, an iconic New York venue, hosts a plethora of captivating performances and is easily accessible via various transport.

The Vivian Beaumont Theater - Lincoln Center Theater is a renowned Broadway theater venue located in the heart of New York City. Perching within the realm of Lincoln Center for the Performing Arts, it distinguishes itself as the only Broadway-class theater (known for its large-scale, high-profile productions) outside the Theater District. The theater was named after Vivian Beaumont Allen, a notable patron of the arts. Inaugurated in 1965, it sports an architecturally distinct design, created by Finnish American architect Eero Saarinen. The theater, featuring a thrust stage extending into the audience, has a seating capacity of approximately 1,080. Over its illustrious history, it has hosted numerous famous productions and garnered multiple Tony Awards. A testament to its prestigious status is that it has been the stage for many world premieres. 

**Getting to the Venue:** The Vivian Beaumont Theater is located at 150 West 65th Street. It's easily accessible by subway- take 1 train to 66th Street-Lincoln Center Station or the A, B, C, D, and 1 trains to 59th Street-Columbus Circle. Additionally, buses M5, M7, M11, M66, and M104 have nearby stops. Parking is available at Lincoln Center's parking garage and other surrounding parking facilities.

Vivian Beaumont Theater - Lincoln Center Theater - NY

Vivian Beaumont Theater - Lincoln Center Theater

Vivian Beaumont Theater is a Broadway-class theater in New York's Lincoln Center, known for major productions and notable premieres.

Jeremy-Jordan

Lizzy McAlpine makes her Broadway debut as Nellie Collins in [*Floyd Collins*](https://www.newyorktheatreguide.com/show/41242-floyd-collins-on-broadway) at the [Vivian Beaumont Theater](https://www.newyorktheatreguide.com/venues/vivian-beaumont-theater) from March 27, 2025.

McAlpine is an indie pop and folk musician who gained worldwide recognition via Instagram and TikTok. Her three studio albums include *Give Me a Minute, Five Seconds Flat*, and *Older*, and she has collaborated with musicians including Niall Horan and Noah Kahan.

Lizzy McAlpine - NY

lizzy 200

History

Stars on Stage

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Vivian-Beaumont-Theater-Lincoln-Center-Theater-NY-644x322px

Designed by Eero Saarinen with the collaboration of Jo Mielziner, the Vivian Beaumont Theater opened on October 21, 1965, with a revival of *Georg Büchner's Danton's Death* starring James Earl Jones and Stacy Keach.

The venue was named after heiress Vivian Beaumont Allen, who donated $3 million for its construction but died in 1962 before its completion. The theatre shares a building with the Off-Broadway venue the [Mitzi E. Newhouse Theater](https://www.newyorktheatreguide.com/theatres/lincoln-center-mitzi-e-newhouse-theater). Lincoln Center Theater has operated both since 1985. LCT's intimate [Clare Tow Theater](https://www.newyorktheatreguide.com/theatres/lincoln-center-claire-tow-theater), situated on the roof of the Vivian Beaumont, was added in 2012.

The Vivian Beaumont Theater is the only Broadway theatre not in the theatre district around Times Square. Located within Lincoln Center near 65th Street and 10th Avenue, it is the northernmost and westernmost Broadway house. The venue is also one of five Broadway theatres named for a woman.

## How to get to the Vivian Beaumont Theater on Broadway

The Vivian Beaumont Theater is nearest to the 66th St. - Lincoln Center subway stop on the 1 line. The nearest bus stop is W 66th St./Columbus Avenue on the M66 line.

## Restaurants near the Vivian Beaumont Theater

Popular restaurants near the Vivian Beaumont Theater include P.J. Clark's (American), The Smith (American), Boulud Sud (Mediterranean), Cafe Fiorello (Italian), Joanne Trattoria (Italian), and La Boite en Bois (French).

Vivian Beaumont Theater - Lincoln Center Theater - New York Theatre Guide

The Vivian Beaumont Theater, designed by Eero Saarinen and Jo Mielziner, opened in 1965. Named after Vivian Beaumont Allen, it's Broadway's northernmost, westernmost venue, located inside Lincoln Center.

Vivian Beaumont Theater - Lincoln Center Theater - TodayTix

Vivian Beaumont Theater Lincoln Center Theater Seating Plan - NYC - 1576 x1090 px

Floyd Collins on Broadway Tickets

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